Selected Writing
“From Depths to Lightness: Notes on Sena Başöz’s Inevitable Choreography,” Inevitable Choreography: Sena Başöz. Contributors: Ece Ateş, Carras Maria-Thalia and Sevil Tunaboylu. Istanbul: Zilberman Gallery, 2024. Exhibition catalog in English & Turkish available here
“Waterway: On Sibel Horada’s New Works,” Interruption and Flow. Istanbul: Versus Art Project, 2021. Exhibition catalog in English & Turkish available here
“Releasing the Old, Finding the New,” Protozine: A Few In Many Places, New York & Istanbul: Protocinema, 2020. Response on Stéphanie Saadé’s A Discreet Intruder available here
“Art, existence and mind games”, Waiting on a Scratch: Merve Ertufan, Istanbul: Depo, 2020. Exhibition text available here
“Hand and Land,” Sinem Dişli: Hallows and Mounds (exhibition catalog) Edited by Ekin Can Göksoy, contributors: Ahmet A. Ersoy, Wendy M.K. Shaw, Christopher Lightfoot & Yasemin Elçi, Istanbul: Ara Güler Museum, 2019
“Ask a Farmer When There is No need for an Accountant: Interview with Chris Evans,” SALT Blog, May 2018. Available here
“Text and Space in Untitled (Bolaño),” Dominique Gonzales-Foerster: The Savage Detectives at the Cervantes Collection. (Exhibition publication ed. by Özge Ersoy, contributors: Kaya Genç et al.), Istanbul: collectorspace, 2017. Available here
Critics’ Picks, Artforum.com, 2014-17. Available here
“Not New Now: Discussing the 6th Marrakech Biennale,” ARTMargins, (ed. by Julian Myers-Szupinska), Nov 2016. Conversation with María del Carmen Carrión, Mohamed Elshahed, Renaud Proch and Eszter Szakács, Available here
‘‘Are you listening? A Year of Sound Art in the UAE. Fari Bradley and Chris Weaver. (Exhibition catalog), Dubai: Tashkeel, 2015. Contributions by Arie Akkermans and Ed Baxter; Available here
“On Asia Art Archive: Ipek Ulusoy talks with Hammad Nasar,’’ The Exhibitionist (blog), Nov 30, 2015. Blog post here & here
Artwork descriptions, Brigitte Kowanz’s Cut a Long Story Short, Istanbul: Borusan Contemporary, 2013. Exhibition brochure here
“Existentialism through the eyes of Sadik Kwaish Alfraji,” Godot to come yesterday, Jeddah: Ayyam Gallery, 2013. Available here